|
Keller-Dorian cinematography was a French technique from the 1920s for filming movies in color, using a lenticular process to separate red, green and blue colors and record them on a single frame of black-and-white film. This additive color system differs from other systems, for example Technicolor, which divided the colors into more than one frame on one or more pieces of film. The system was used to film several scenes of Abel Gance's ''Napoléon'' (1927) and for ''La Femme et le pantin'' by Jacques de Baroncelli (1928). However, projection of this process in movie theaters seems to have been more difficult, so neither of these films was ever presented using this technique. Also, making prints was described by one source as "impossible." This process was used by Eastman Kodak for the motion picture process Kodacolor, introduced in 1928 as the first amateur filmmaker's 16mm film color process available for the home movie market. In about 1929 Ludwig Blattner bought the rights for the use outside the USA of the Keller-Dorian process,〔("Encyclopedia of Modern Jewish Culture" ), edited by Glenda Abramson, -Google Books-, pub. Routledge, April 2013, ISBN 9781134428656〕 and this process was then known as the Blattner Keller-Dorian process,〔"Pathe International Corp. to Handle Color Films", Motion Picture News, Volume 39, Jan-Mar 1929, held at Internet Archive http://archive.org retrieved 27 January 2014〕 which lost out to rival colour systems. ==See also== * Color motion picture film * List of film formats * List of color film systems 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Keller-Dorian cinematography」の詳細全文を読む スポンサード リンク
|